Rembrandt van rijn
1606-1669 Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.

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Rembrandt van rijn sjalvportratt oil painting


sjalvportratt
olja pa tra 53x66cm 1942 se
Painting ID::  70811
Rembrandt van rijn
sjalvportratt
olja pa tra 53x66cm 1942 se
   
   
     

Rembrandt van rijn Portrait of a man. oil painting


Portrait of a man.
1632(1632) Oil on oak panel 63.5 x 47.3 cm (25 x 18.62 in)
Painting ID::  71829
Rembrandt van rijn
Portrait of a man.
1632(1632) Oil on oak panel 63.5 x 47.3 cm (25 x 18.62 in)
   
   
     

Rembrandt van rijn The Good Samaritan. oil painting


The Good Samaritan.
1630 Oil on canvas 68.5 ?? 57.3 cm (27 ?? 22.6 in) cjr
Painting ID::  77653
Rembrandt van rijn
The Good Samaritan.
1630 Oil on canvas 68.5 ?? 57.3 cm (27 ?? 22.6 in) cjr
   
   
     

Rembrandt van rijn Minerva oil painting


Minerva
Date 1635(1635) Medium Oil on oak Dimensions Height: 61 cm (24 in). Width: 49 cm (19.3 in). cjr
Painting ID::  80387
Rembrandt van rijn
Minerva
Date 1635(1635) Medium Oil on oak Dimensions Height: 61 cm (24 in). Width: 49 cm (19.3 in). cjr
   
   
     

Rembrandt van rijn Young Jew as Christ oil painting


Young Jew as Christ
Date ca. 1656(1656) Medium Oil on wood Dimensions Height: 25 cm (9.8 in). Width: 21.5 cm (8.5 in). cjr
Painting ID::  80388
Rembrandt van rijn
Young Jew as Christ
Date ca. 1656(1656) Medium Oil on wood Dimensions Height: 25 cm (9.8 in). Width: 21.5 cm (8.5 in). cjr
   
   
     

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     Rembrandt van rijn
     1606-1669 Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.

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